Oct 26, 2008

Book Reviews @ The Temple

The Blank Slate by Steven Pinker - Finally!  I've been reading this book forever.  That's mostly my fault, I just wasn't reading often.  It is only slightly the book's fault in that it is rather textbook like.  It could almost serve as the book for a psych class (or a number of other connected disciplines).  Each chapter could foster a full discussion, especially the later chapters.  As such, this is gonna be a hella long review, so stop reading if you don't care.

The basic premise of the book is an argument against the Blank Slate (and also Noble Savage) theories of nature vs. nurture, an argument for a strongly present nature element, and how these two things affect, to his mind, a number of aspects of our world.  The first quarter or so is the argument against.  For those unfamiliar, the Blank Slate theory says we come out of our mama's business completely blank, ready to be molded by: parents, peers, society, etc.  The Noble Savage is an alternate but simliar theory elevating native peoples saying that before us whiteys came along and fucked them up, they were all honor and decency and virtue.  The latter seems a bit of white guilt to me and I don't know that anyone really agrees with it.  As he points out, every society fights, murders, rapes, and wages war.  The one or two stories of amazing isolated tribes without these faults have in fact been found to be lies.

The degree to which the former is true is the heart of the nature vs. nurture debate, and of this book.  The problem with the blank slate is its a 100% theory, i.e. we are ALL nurture.  That's pretty hard to defend in any instance.  He argues strongly that genes have a significant role in who we are.  This is very interesting because I have been taught my whole life that the liberal proper way of thinking is that we are all what we are made to be or make ourselves to be.  That seems to elimiate racism & sexism, the inevitability of war, or of violence, it makes us all pure until we mess each other up.  But Pinker's point is plainly that it is not true.  He cites a large number of studies to prove his argument.  Which is the unavoidable fault of this book, I have to trust him.  He spends the middle half of the book citing various bits of evidence, including lots of twin studies,  which he holds up as the only way to have proof.  The idea is to compare twins raised together, twins raised apart, and adopted siblings raised together.  Studying where you find similarities most often suggests where those similarties come from: genes or environment.  His claim is that in nearly every case it is genes: twins have the same sameness whether raised together or apart, and adopted siblings have the same sameness as two random unrelated people not raised together.  If this is as true as he suggests, it basically destroys the blank slate as a theory.  It says that as much as 50% of our personalities/skills comes from our genes.  That's pretty amazing and unnerving.  But it does rely on me trusting his evidence.  Is he citing ALL the studies?  Just the ones he likes?  How many studies are there really?  How many twins together and apart can their really be, and how many of those are in studies?  What kind of sample base do we have to make the results statistically significant?  These questions can only be answered by someone writing a book called "eff that pinker guy", or something similar, and then I'd have to ask if I trust him.  But, assuming that he is right, that the blank slate is wrong, and that our worst elements are built into us to varying degrees, how does that change our view of our world?

That assumption, and those questions, are the last quarter of the book, the issues being some obvious ones: politics, race, violence, gender, parenting, and art.  His answers would make any liberal squirm: yes, a race might have a different propensity for a skill than another; yes, one gender might be more lilkey to puruse one career than another; yes, rape is somehow in our genes; no, how you parent doesn't really matter.

The race/gender ones, I think, are the easiest to handle.  Is it really so surprising that more men than women, in a completely neutral world, would opt to build or operate big machines and that more women would opt to take care of people or communicate?  We do have 10s of thousands of years of somewhat defined roles in us, after all.  Being in science, women in science is a big issue, one that I believe in.  But he has convinced me that we don't have to make it 50/50, that maybe it shouldn't be.  That doesn't change that every girl should be encouraged (as should every boy), that no one should be limited, and we shouldn't assume just cuz only 30% of girls (that's a random number) would want to build a computer or an engine, that this girl in front of us at this moment wouldn't want to.  I think he goes too far, I think I'd much rather react strongly against any sign of prejudgment, but clearly his priority is speaking against the assumptions the blank slate has provided us, so it pushes him too far for me.  Race is a little harder, we don't have defined race roles based on our biology, and we have thousands of years of social and economic situations for certain races as opposed to others.  Those factors will manipulate what instincts our genes provide us, and it could have been the other way around.  But it does make us squirm, if we did a broad IQ test, would black people rank, on average, below white people?  would white be below asian?  those are the stereotypes, the might be born out, then what do we do?  The answer is it's silly, and we do nothing.  His analogy, which I appreciate, is that if a study showed that tall people, on average, are smarter than short people, would employers start only hiring the tallest of us?  That would seem stupid, and clearly race comes up for other reasons, not the results of a study.  The whole conversation is uncomfortable, but interesting and managable.

Slightly worse is violence and rape.  We are built to be violent, we are built to breed.  In some cases they will come together and make rape.  It's ridiculous to say its not "natural", it happens in nature.  He even argues for a evolutionary imperitive to rape, in small numbers.  But it is not as extreme as it sounds, and it makes sense.  But that's not even the point, just because something is natural doesn't mean its right, and we should all really own up to that.  The whole point of morality is to rein the negative parts of our nature.  He thinks, and I agree, that this elevates morality, not denegrates it.  There's a whole lot more to this and violence in general, like I say you  could talk for hours on every one of these subjects, but its very good reading.

Much much worse is parenting.  He argues that parenting basically doesn't matter a lot as far as who the child will end up being.  He says that parenting has, at most, a 10% effect on personality/intelligence.  50% is genes, and 40% is other.  Here is where I don't understand his argument.  They do this measurement with the twins again, and they say they end up 50% alike due to genes (how twins raised apart and twins raised together are same sameness), 10% alike due to parenting or shared experience (how twins raised apart and twins raised together have different sameness), and 40% due to unique experience, which I don't understand.  It's supposed to be environemnt, but not in a determiniable way.  Two siblings, for instance, receive a shared experience.  When they leave the house and go to different schools or have different friends, they hvae unique experiences.  I don't really buy this argument, everything is unique to a certain extent, no parents treats all children the same.  OR, everything is shared by all the people in that class, or peer group, and THEY should be 40% the same!  I think its weak, either its wrong, or he doesn't explain it well.  He uses this evidence to say all the effort put into parenting theories and methods is fairly useless, because parents have such a small effect.  He argues that this does not invalidate parents, and that you can still mess your kid up or neglect them and that this is still objectively wrong, and that a parents job to keep their kids alive and healthy remains uneffected.  But he says whether you play him mozart, read to her starting at age 2, have a full time job or stay at home, or a number of other factors, has no impact on how smart, nice, outgoing, ambitious, or even tempered they will be.  This makes me nervous, to be sure, as I feel like I was very much shaped by my parents.  But if what he says is true, then they had no impact on who I am.  They kept me safe and happy, and didn't hurt me or scar me,  but they did not make me whatever I am.  I think we all have anecdotal experiences that suggest otherwise.  Parents who do "better" with a second child or set of children raised much later than the first set.  Parents who spent more time with the first born than the others, etc.  He says its not true, its hard for me to believe, and as I don't fully buy his argument (due to poor explanation or falseness, I don't know), makes me want to think he's wrong.  But I'm defintely not sure.

The last bit of society affected is the arts, and I agree with him mostly here.  He pretty much hates modernism and postmodernism, which I already don't much appreciate, so I'm ok with that.  He basically argues that modernism and postmodernism insists on relativism by denying human nature, and universal beauty.  He says the basis for this denial is a blank slate idea that we only think this or that looks our sounds pretty because society told us to.  He says that's wrong, however, that we think its pretty because we are built to appreciate certain things as beautiful, and to deny that is wrong, and to make art based on that denial is just dumb.  I fairly well agree with him, postmodernism kind of annoys me, always has.  He goes a bit too far (once again!), because I think you can appreciate the accomplishment of something for its own sake.  New styles, new methods, or just plain "wow, isn't it cool how s/he did that?" can be mind blowing, and I don't particularly care if they are denying human nature, what they did was cool.  But, as a theory of art, I'm on board with them being sillypants.

Okay, so wow, that was a lot of writing.  I maybe should have said at the beginning, not now, that this book is certainly good.  If you want a book to debate around, its fantastic, as it has things to say on the most fundamental issues we deal with daily.  Whether its right, I don't know, I think it's 75% right, almost certainly.  The remaining 25% requires I trust him to a degree I have no reason to, and in that 25% there's a lot of nuance and consequence.  I would like to hear someone argue against it, maybe I should look up a book that specifically addresses this one, I know it happens at times.  As I said, its not artfully written, its almost textbook like, maybe he should be given praise for the extent to which its not a textbook given the material, I don't know.  He does pull together a fantastic ending, though that is by citing people who are magnificently skilled at writing.  He uses passages from Dickenson, Vonnegut, Twain, and Orwell to provide the insight he is arguing for into human nature.  But even outside the ending, the book is absoultely worth reading, it will make you think and make you question, even if you decide he's wrong.

Oct 25, 2008

Movie Reviews @ The Temple

Appaloosa - Man, I was so excited for this movie.  I love westerns, after spending 25 or so years hating them based solely on hating all the douchebag arizonans who walk around in boots and hat like they've ever seen a god damn cow.  But turns out they are pretty rockin', and here we've got Ed Harris, Vigo Mortenson, AND Jeremy Irons?  Unfortunately, and this is the crux of its failure, we've also got Renee Zelwiger.  I just looked it up, short of Chicago, Renee Zellwiger has never been in a movie I liked.  She's horrible and someone should fire her from hollywood.  That being said, it wasn't all her fault, the whole script was built around her retarded character and its retarded influence on retarded ed harris.  What the hell?!  You pussified ed harris!  Did you see Pollack?  a history of violence?? you ruined him!  The whole movie after she shows up and ruins him is questionable, with good moments, but this tinge of crapiness, it was so sad to see.  The movie also seems to cover too much ground, time-wise, that it felt rushed and awkward when you jump a bunch of time.  So sad, mortenson and irons were so badass, why couldn't the movie be too?

The Incredible Hulk (2008) - New hulk movie. better than the last, for sure.  I notice they made hulk a lot taller so he didn't look like an overgrown midgit again.  The end battle was actually pretty dang good, and the end of the battle did a very good job of doing the hulk ethos, we call him when we need him, we chase him when we don't, it was nice, and without stupid dialogue!  I dunno, though, I guess hulk is just never gonna do it for me.  I hated the first movie, this one was okay but I'm left a little meh.  World War Hulk, the marvel event last last summer was so boring and annoying for me.  I guess I just think hulk isn't all that interesting, I dunno!  Now i hear he might be the villain for the avengers movie and I'm afraid, its it going to be world war hulk all over?

Slacker Uprising - This is michael moore's new movie, and man it tugs you a lot of ways.  First up, a bit of business - moore released this under the dr. horrible method of making money: put it out for free, people will pay later if they like it.  This no doubt has something to do with the massive piracy of sicko last time around.  Nonetheless, the dr. horrible method is great for established creators, so yay.  Back to the movie.  It's basically about this speaking tour he and some musicians did before the 2004 election trying to get people to vote.  Called "slacker uprising" it went primarily to college campuses to get kids out and their friends out.  The first thing that strikes me about this movie is "wow, wouldnt' this be fucking amazing if it had worked."  Buuuuut, it didn't, which is a weird contradiction.  Balls to moore, I guess, for releasing what on the surface could be an embarassingly failed effort.  On the other hand, that's the point, and its meant to get us riled up for this year.  Interesting fact that somehow had been blocked out of my memory: kerry was up by 7 points (according to some random poll, anyway) before the swift boat thing  Obama is up by around 7 points as I write this (not necessarily when it posts), soo..... don't feel too comfortable.  Another thing going on in my head, a big complaint w/ moore's movies (besides their creative/selective use of facts) is that they are becoming almost more about moore than his subject matter.  he is a national personality, one that most people have a strong opinion about, and his movies were so heavily laden with his voice that its impossible to separate the subject from the speaker.  This movie, either in contrast or in completion, is really about moore.  Yeah, its about this speaking tour, but its about him.  The surprising thing is that it doesn't make me hate him!  I'm not a big fan of moore, generally.  I've always said I agree with what he says, but not with how he says it.  He has this way of corrupting my own views by giving people an excuse to hate those views via him, and its always bothered me.  But amazingly, this time, or at least 75% of this time, he's saying things in a pretty reasonable way, without too much exaggeration or excess.  It's still very rethorical and maniuplative (all speeches are), but it a way I could actually totally deal with.  I'm going on and on here obviously because its not about a movie, its about all the things the movie is about, so I'll shut up now.

You Don't Mess With the Zohan - Dumb.  Dumb!  Silly goose movie.  There are a handful of parts that are legitimately laugh worthy funny.  A couple of the cameos are good, Geroge Takei and Mariah Carrey (who is funny because she is willing to make fun of herself) in particular.  Overall its pretty dumb.  The accents were horrible.  It's not stupid enough to be bad, its not like it pained me to watch it, not most of it anyway.  But I'd also not make any effort to see it on purpose, it's defintely a midnight cable I'm bored kind of movie.

Love Guru - Bad movie.  It's like pure distilled mike myers silliness, but that's not good, it has no support.  It's just the bad jokes and puns, with no context to make them funny.  It fails on almost every count, and mike myers' character is just annoying, not cute.  There are a couple laughs, but nothing great, stephen colbert is the best part of the movie.  Believe it or not, this was worse than Zohan, even more dick and fart jokes, jesus.

Forgetting Sarah Marshall - Wow, this movie was pretty good!  After the last two comedies, it seems like freakin genius.  That's not fair, of course, but the movie was legitimately funny, I laughed throughout.  It's not a classic or anything, I don't need to buy the DVD, I won't think of it in the same thought as Anchorman or 40 year old virgin or ricky bobby.  But it was absolutely worth my time.  The plot was predictable, but that's ok, it's not exactly why you see this movie.  Everyone does a good job, including the british guy who I hate in real life so I had no problem hating his character.  There's not a lot to say about the details of the movie, it is kind of straightforward, but it really comes together with some really honest humor and fun characters, thumbs up.  Oh, and as a side note, the main character exhibited some weirdly specific me-like characteristics or habits that I found very disconcerting.  Seriously, like 5 or 6 times I looked over and said "that's me!"  It was kinda weird, though totally not the point.

Death Race - You aren't going to beleive this, but this was fucking great!  No, seriously!  And it's not man-love for Jason Statham either!  I know it looks awful, and its true it is at times overflowing with cheese, the dude from deadwood actually talks snarky into the camera at one point.  But the rest of the movie is very fun.  The races are very cool, the couple of melee fights are actually pretty good, if brief, and kinda brutal.  The acting and writing is nothing to be ashamed of.  It's obviously not genius, but it is not lacking in any way for this kind of movie.  I was totally surprised, it was completely enjoyable.

The Strangers - So, I'm pretty sure I don't like this movie.  It's very tense, its aiming to creep you out and make you feel unsafe in your own house, and I suppose it does that.  But I'm really annoyed with the whole premise.  Granted, its based on something true, so I guess I can't say its ridiculous, but it just feels so sensational.  oh em gee, people are going to break into your house and torture you and fuck you up, eek!  No, they aren't, actually.  This doesn't happen, and if it happened once, well, someone got hit in the head by bird shit falling at terminal velocity once, no one made a movie about it.  I go back and forth because there's this nagging fear that I was afeared and that makes me all tough and want to say the movie was stupid.  But, no, I think it really was stupid, or at least manipulative.  Nothing else about the movie is really horrible, scary people act stoic (easy w/ a mask) and scared people act scared.  The camera is a little holy crap shakey, but that's fine.  No, it's just the premise, I'm annoyed, its almost as bad as watching Saw.  Oh look, I just googled, the true story this is "based" on, besides helter skelter kinda, is the director's childhood memory of someone who knocked on random doors finding empties and robbed them.  which has NOTHING THE FUCK to do with this movie.  It is in fact, the opposite of the premise of this movie.  So it's official, this movie sucks balls, I win.

Oct 19, 2008

Oct 8, 2008

Toy Story Dark Knight Trailer

Teehee.

Little Big Planet

I'm not much of a hype person, I guess I'm an old crank, nothing excites me all that much any more.  But holy crap some of the cool things coming out of the LBP Beta are amazing.  Someone recreates the FFX theme (reminds me of using Mario Paint), and then some INSANE person makes a calculator out of 1600 parts.  I'm no where near ambitious enough to do any of this stuff myself, but I will love seeing what the beta community x 10,000 can do.

Oct 3, 2008

Palin Debate Flow Chart

HA!

To be "fair" she used real sentences and grown up words at least half the time.  The other half was "betcha", "ya", and verbs that end with in'.  Of course, all the real sentences were memorized lines - you could see it in her face when she started repeating something she said in the mirror a couple hundred times on wednesday.  But she didn't get on stage and kick dirt, so..... palin ftw?

Sep 29, 2008

Sep 22, 2008

Get Key, Open Door

I should reeeeally be working.

Book Reviews @ The Temple

Well jesus, this has apparently turned into a comic book review section.  I'm almost only reading great books cuz they are all recommended from one source or another, so all my reviews are glowing!  And there's so many more on the list to read and they are so much quicker than a real book!  I'm like 1/4 of the way through a great book called The Blank Slate, I'll finish it some day I swear, until then...

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Understanding Comics by Scott McCloud - I heard about this comic, which is about comics, from a comic book video cast, and even these guys who knows all about this stuff said it blew their minds when it first came out 15 years ago.  I gotta say, I feel the same way.  I think there is some fundamental art theory in here that I just didn't know, so was surprising to me.  Just different things about style and emotion and purpose and language vs. symbols and things that didn't occur to me in comics that are sort of amazing!  I think it's pretty important reading for anyone who is into comics, 's cool.

Queen & Country - This is a good one, I guess.  It's about British spies, basically, focusing on a particular one.  It's the kind of story I don't really care that much, which tells me that it was written well because I was pretty interested to read each following issue.  The art is cool too, the style changes dramatically (with the artist) from mission to mission, which is neat.  I guess it has a lot of cross over with a couple spinoffs and even some prose novels.  I don't like it that much, but I enjoyed reading the main book.

We3  by Grant Morrison - Wow, what the hell.  This is a very short 3 issue series, but it sure does pack a punch.  The premise sounds silly, three animals (bunny, cat, and dog) bio & tech engineered into soldiers, the story of their break out.  It's rather violent, very quick, and very powerful.  It's not like its some grand moral statement - don't mistreat things, don't make dangerous weapons.  But wow it is so awesome in its short breath.

The King by Rich Koslowski - Um, ok.  This is the same guy who did Three Fingers, which I loved.  It's a story about a new elvis impersonator who is changing people's lives and maybe isn't an impersonator after all.  It's a fun book, a quick read, but I think maybe its thesis has been done better.  I think its more about mystery, as it calls it, or the purpose of faith.  It was okay, but if you want a good story with the same theme, go read The Life of Pi, which is an amazing book about faith, and that's coming from a very unreligious person.

Scud The Disposable Assassin  by Rob Schrab - Meh, this isn't for me.  It's about this robot assassin that goes rogue.  It's super crazy over the top surreal cartoony.  It's got a ridiculous sense of humor.  Don't know, I had heard good things, just didn't do it for me.  I can see how it would appeal to some, but not to me, I only got 4 issues in.

Surrogates by Robert Venditti - Quick little read about a different kind of future, where everyone controls robots to act as them in the real world.  No one uses their real bodies anymore.  It's a good story, nothing fancy, quick and effective.

Y the Last Man by Brian K. Vaughan - This title is pretty well known, it got a lot of press recently when it finished its run.  Its a rarity in comics in that it had a defined length that wasn't a few issues.  It was 60 issues and the creator had that in mind throughout.  The basic story is all male mammals on earth suddenly die except one guy named Yorick and his male monkey.  The first few issues are just amazing.  It's able to point out some facts about our world that boggle the mind.  The last page of the last issues gives some stats about the % of certain professions that died with men, its amazing and sad.  I'd say the book didn't keep up this amazingness throughout, it got a little "normal" as the same sort of miniplots happened over & over.  But then they would throw in random throw away issues that were really great.  It ended strong, though the last issue is a future thing that I don't really need.  But if he didn't do it, people would complain about that too, so it's fine.  Over all, great book.

Fray & Astonishing X-men by Joss Whedon - I'm grouping these because of the author, obviously.  Fray is a buffy spin-off set a couple hundred years in the future.  It's an 8-issue thing.  Mostly fan service to buffy fans, I think.  I haven't watched buffy (its on the long list of shows to get to), so it didn't hold anything for me.  It's a good short story though.  The X-men run ended recently (ellis took over) and is Whedon's take on the team.  It's kept purposefully apart from the rest of the x and marvel universes.  It's a good story, but at the end of the day its just more x-men.  I mean, it's a big story, and dramatic and all that, but EVERY story in marvel (or dc I assume) is huge and its all the heroes and its the fate of the earth and people die and come back and die.  That stuff kind of lost its drama around age 13.  Anyway, both stories, plot wise, are just good, nothing great, but the writing is fun.  It's interesting to see Whedon in written form.  His dialogue is often quick and quirky, which you end up reading into the written dialogue, so that's interesting.  He is really great at transitions, moving from scene to scene or character to character in subtle and dramatic ways.  I also notice in both books when he does two parallel scenes or conversations.  In fray it was for comic effect, in x-men it was for dramatic effect, both worked great.  So these stories aren't blowing me away, but they are a great excuse to see whedon in a different form and notice some of his tricks.

Transmetropolitan by Warren Ellis - Okay, I should not like this book.  It's set in the future, and its about a famous reporter, 5 years in isolation, who returns to the city and to reporting.  By the numbers, I should hate this comic.  The future is exaggerated, almost surreal, something that bothered me with Scud.  Technology is essentially unlimited, vice is commonplace, almost anything is possible.  The main character is a psychotic ranting over-the-top drug-addicted misanthropic shit-stirring asshole.  I usually hate characters like this.  I feel like creators use them just to be drunken pissants and yell at the world and their audience like their precious cranky perspective is so original or valuable.  Clearly, however, all this is a big setup to say that I really like this book.  I don't love it, anymore.  The first, like, 15 issues I was flipping out for it.  Then it started to drag and I got a little sick of his insanity.  Then it picked up again with some political stuff, and in the end is mostly about free speech, government control, and most importantly journalism.  Ellis uses this awful character (with an admittedly fantastic visual design) and society to go after not-yet-so-crazy shit in our own lives, of course.  And though I might not call it super insightful (advertising culture, vice, government control, freedom of press, religion, etc), it still manages to be a really effective exaggeration of those issues.  I have no problem with someone saying they can't handle this book, I'm surprised I can.  And I'm not douchey enough to think its so smart that if you don't like it you "don't get it."  But if you can dig the character design and world aesthetic, I think it is quite a ride.

Sep 20, 2008

Africatrek

1) Ya'lls is a bunch of hippies.

2) yer kinda cool.

3) wasn't there a chick who tried walking across the middle east a few months ago and ended up dead in a ditch?  and we all called her sad, but stupid?  just sayin'.

Sep 16, 2008

Saving Bristol

HA!  Okay, I had heard that Doug Stanhope (a stand up comedian, kind of the "edgy", obnoxious, but funny type) was offering Bristol Palin $25k (plus whatever people donate) to get an abortion and leave her family.  It's a silly stunt, obviously she won't take it.  What I didn't hear, was that Doug Stanhope is giving all money donated to the page to LilithFund.org, a program that gives underprivelaged women free or low-cost abortions.  He will give this money on election day, in the name of Sarah Palin.  HA!

Sep 15, 2008

Ninja Cat

I know what you are thinking, I thought it too, not another stupid youtube cat video.  But it's awesome, trust me!

Show Me Your Genitals

Giggity!  very Flights of the Choncords-ish, hilarious!  And there's a Part 2!